How is it that Fernando Botero has produced a major commentary on Abu Ghraib, while U.S. artists have remained largely silent?
From the moment you enter “The World of Khubilai Khan” at the Met, you are in a wholly other world.
In the Basilicia of the Sagrada Familia, Antoni Gaudí brought the divine into the heart of secular Western Europe.
“All art worthy of the name,” Henri Matisse once said, “is religious.”
A slideshow and essay documenting life at the Kintsvisi monastery in the Republic of Georgia